National Intelligence Service Agent Reincarnated as a Genius Actor - National Intelligence Service Agent Reincarnated as a Genius Actor chapter 42

Master Plan – Script Reading

“Nice to meet you. This is Ma Seok-do, who plays the role of Kwak Ji-cheol, who is afraid of being beaten a lot with this size.”

ha ha ha!

clap clap.

Maseokdo’s witty and pleasant greetings brightened the atmosphere in the hall with laughter.

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Next, a 20-year-old rookie actor who starred in a movie directed by master Park Chan-hong stood up.

“Please take care of me. This is Ryu Yeon-woo, who plays the role of Pierre Choi, a solver who will avenge the fearful senior Ma.”

As soon as they stood up, everyone smiled and clapped at Yeonwoo’s greeting, saying hello 90 degrees and wishing you good luck.

“Really handsome!”

ha ha ha.

Everyone burst into laughter at the loud shouts that erupted from the back row.

I remember Ahn Jun-ho during the first script reading of ‘Summer Wardrobe’, and when I saw the back row where the sound came out, cinematographer Kang In-chan looked at Yeon-woo and smiled.

The senior and veteran cinematographer of the closet team who raised the spoon high saying that the bounty vacation decided to go to Hawaii will fuel love.

Yeon-woo smiled broadly in a happy mood and greeted him with a slight bow.

What happened next was Kangwoo Construction, the boss of the Gangwoo faction. The charismatic actor Jung Ha-kyun, who took on the role of Park Kang-woo, stood up.

After that, Han So-hyun, who played the role of Jennifer in ‘Deer’, got up and greeted with a fresh greeting, and the other supporting actors stood up one after another and introduced themselves.

There were so many well-known actors that there was no need to memorize their names.

However, since it is a large movie, there are a lot of supporting roles, so there were some actors who did not know their names.

Memorizing names and faces is one of Yeonwoo’s specialties.

After all the greetings were finished, Director Park briefly explained the overall flow of the film and the narratives of the characters other than the script.

“Now then, let’s get started.”

At the words of director Park Chan-hong, the assistant director exclaimed.

“Let’s start. Scene number 1.”

🤩🤩🤩🤩🤩🤩

At the words of the assistant director, many people in the conference room turned over the screenplay at once.

A minor actor who plays the role of the president of a security company begins.

“Well, you understand. There’s nothing I can do about it. I’ll take care of it. Who shouldn’t be carrying a gun?”

“No, boss. It’s not that I did anything wrong, on the contrary, didn’t I tell you from last month? We need to make up for that.”

The cyber security company, where Kwak Ji-cheol works as the programming team leader, is mainly in charge of banking, but this time, the bank’s computer network was paralyzed by the DDoS attack, and someone has to carry a gun.

“I put it really thickly. You won’t be upset. But, if you take a break and get quiet, you can come back in. Team leader Kwak is the best, I know better than anyone. Huh?”

Skip to scene number 2.

Kwak Ji-cheol nervously slams the trunk door, taking out the box containing his office stuff from the trunk.

thud-!

“Ah, you dirty bastards. Really.”

The magic stone that replaced the sound of closing the trunk door by hitting the desk.

The actors were shocked by the shaking table, even though they smashed the stone.

“Director Kim.”

Surprised by director Park Chan-hong’s remark calling Kim In-hyun, the assistant director visited the ambassador.

The minor role, which has not been confirmed, has been decided in advance by assistant director Kim In-hyeon.

“Who are you? Didn’t you do this?”

The owner of the car next to the apartment parking lot got out at the sound of the car door closing with a bang.

“Trunk. Trunk.”

The car owner sees Kwak Ji-cheol, who has a rough appearance, and gets back into the car quietly.

In scene number 3, there is a conversation scene between Ji-cheol, who explains before and after to Ji-cheol’s wife, who asks Ji-cheol what’s going on after seeing Kwak Ji-cheol, who left work early.

As the script reading progressed, there was a scene where the subordinates of Park Kang-woo, played by Ha-kyun Jung, came to Gwak Ji-cheol, a retired genius programmer, and asked him to create an illegal gambling house program.

The Ma Seokdo, whom he cherishes the most as a family, resisted, but was beaten with fighting skills that did not match his size.

The closed case cannot be punished again due to the principle of absurdity, and Kwak Ji-cheol and his family gradually became devastated by the actions of the right-wing gang members who foreshadowed retaliation for reporting.

“I can’t live like this. You can earn money again, so I’ll give you everything as long as it’s resolved. Damn it.”

Kwak Ji-cheol, who puts a request to a solver who wanders like a legend in the dark deep sea of the Internet, which is difficult for ordinary people to access.

That’s how the 17th scene started, and it’s the scene where Yeon-woo first appears, and it’s the part where I auditioned.

“Devo andare in bagno, scusate (I’ll go to the bathroom).”

The scene begins in fluent Italian.

Oh oh.

Yeonwoo’s pronunciation that felt something different even if someone didn’t know it heard a little bit of resentment at the scene.

Yeonwoo plays the phone call scene she had during the audition.

I didn’t act as delicately as in the audition because the purpose was to match the lines, but the shockingly detailed gradation expression of the day naturally came to mind in the heads of Director Park Chan-hong and CEO Han Yun-soo.

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Next, Yeon-woo plays the scene of Pierre Choi, who is tricked by the Italian mafia and escapes.

“Look for a hundred days on your island. Anyway, these guys are a little…, Non è divertente.”

Pierre Choi’s final lines in this scene, leaving Sicily on a motorboat and heading to the prepared ship.

Pierre Choi, who arrives at Incheon International Airport in the next scene.

Take off your sunglasses and take a look around Incheon International Airport.

“Anyway, in this damn country, only the airport is needlessly and terribly big. Oh, I’m going to go eat kimchi stew at the airport. How long has it been? Eherady.”

While analyzing Pierre Choi’s character, Yeon-woo spit out lines by creating a unique and attractive tone that simultaneously felt the frivolity of a con artist and the charisma of a giant.

The lines spit out by ad-libbing even Chuimsae, which are not in the fingerprints, are perfectly realized by Pierre Choi itself, as if it had entered and exited the head of director Park Chan-Hong.

Although it fits the role of Pierre Choi so perfectly, Sohyun, who was next to him, was a little surprised and looked at Yeonwoo’s accent for the first time.

It’s the same with other actors staring at Yeonwoo at this charming and unusual accent.

“Uh, shall we do this part?”

In the next scene, only “Pierre Choi eats kimchi stew deliciously” is written, so I had to digest it with an ad-lib, but Yeonwoo asked because it was difficult to do it as a dialogue without kimchi stew.

“Oh, this scene is over. Scene number 24.”

At the words of the assistant director, the script reading resumed from the next scene, and the reading went smoothly over a few scenes, and the scene where Pierre Choi and Kwak Ji-cheol met.

His wife and daughter were sent to their parents’ homes.

Kwak Ji-cheol lives in an inn room without being able to enter the house because of Gang-woo gangsters.

Kwak Ji-cheol bought soju at a convenience store in a life that was suddenly twisted and opened the door to the shabby inn room where he was staying.

“Are you? Kwak Ji-cheol, who commissioned me?”

Upon entering, Pierre Choi is lying on the bed with his legs crossed and eating the snacks Ji-cheol left over from yesterday.

“Mom. It’s a surprise. I almost fell.”

A small burst of laughter burst into the conference hall at the skillful performance of Ma Seokdo.

“What’s a mom that’s a big distraction. Am I your mom?”

In the end, laughter burst out at the scene at Yeon-woo’s line that bites right into the scene with exquisite timing.

Yeon-woo continues his lines without hesitation.

“And, where’s the kid you’re going to fall for? That’s not muscle… Are you pregnant?”

I couldn’t stop laughing at Yeonwoo’s acting, which naturally spit out lines one after another.

In the end, Maseokdo waited for about 5 seconds and resumed the dialogue when I calmed down in the meeting room.

“Are you Pierre Choi?”

“Yeah. Come and sit down. Oh, the inn room is cheap, so there’s no chairs? Or lie down here.”

Pierre Choi, who changes his posture to the side while tapping the seat next to him.

In the end, Kwak Ji-cheol sat down sadly on the edge of the bed.

The actors and people involved are imagining the screenplay, but when I imagined the large-scale Ma Seok-do sitting in the corner of a small bed unsuitably, everyone had a small smile on their faces.

So, Pierre Choi lay on his side in a rather bewitching position, and Ma Seokdo sat down with his big back bent in the corner of the bed and had a conversation.

“By the way, he’s such a muscular man, so why did you get beaten up by these kids and even commissioned me? Of course, I’ve read all the details.”

“That, I…”

“Tell me. Speak comfortably.”

“It’s because I took the wrong herbal medicine when I was young. Actually, I don’t exercise at all?”

Pierre Choi, who is lying on the bed and raises his upper body.

“Ma è una burla! (Ah, a lie!), really? Wow. An oriental mystery?”

“Hey, solver. Rather than that, if you could tell us what to do next…”

Pierre Choi, naturally, steals the convenience store bag that Kwak Ji-cheol was holding and takes out sweets and talks.

“Let’s wait while we eat some sweets. These floor tazzas are calling. Does the deer go up first?”

“A deer?”

Scene 28 ended with Ma Seok-do’s last line, and the assistant director shouted after receiving the autograph from director Park Chan-hong.

“Scene number 28 is over. I’ll take a 30-minute break and then go back.”

At the words of the assistant director announcing a break, everyone got up from their seats as they warmed up.

Ma Seok-do, who was in front of Yeon-woo, also got up and came to Yeon-woo.

“Mr. Yeonwoo. I’ll just call him Yeonwoo.”

“Yes. Senior.”

“Ah, what a senior. Let’s call him hyung. I don’t have a conscience.”

Even though he has two wheels, he calls him hyung.

“Ah, Seokdo-hyung. I see.”

“Yeah, yes. By the way, are you really good at acting? Little brother.”

It is Seokdo who sincerely admires Yeonwoo’s acting.

Yeonwoo replied with a smile.

“Thank you. My brother and I got along so well, so I had fun playing the lines.”

Ma Seok-do, who smiles at Yeon-woo’s words, pats her on the shoulder, and leaves the meeting room to go to the bathroom.

As Seok-do left, Han So-hyun approached him as if he had been waiting.